December's Book is Masters of War by Chris Ryan... no really it is

Thursday, 31 January 2013

HHhH | Laurent Binet



It's got the Gestapo in it. And Hugo Boss. Apparently. It's by someone called Laurent Binet. I have high hopes for this novel. I suggested it. So if it stinks, blame George. It was his idea too.


Sunday, 27 January 2013

Willful Ignorance*

Thomas Wallbank, Thomas Quinn, Thomas Albiston, Thomas Yelland, Thomas Minton & Thomas McAndrew were discussing Wolf Hall. Thomas Condron and Thomas Norton had succumbed to the summer sweat.

"Thomas sometimes uses quotation marks" Thomas said, but Thomas doesn't sometimes, Thomas added. Thomas agreed. He should he thought be careful he said confused. He always speaks in the third person. It's a style he likes. He doesn't use quotation marks because he's cool but he prays he will. Thomas Mantel is suspected of employing French tricks to secure her 2nd Booker. History is a joke. The way it is taught at school Thomas said. Thomas agreed, he said, he did.


*PS the title of this post doesn't actually mean anything but refers to something that will happen in next month's book group meeting. It just sounded rather cool.

Wednesday, 28 November 2012

The Horror, The Horror







Cormac McCarthy's Blood Meridian - Report

The party was much reduced on Thursday night, down to just four weary travellers staggering into the cantina. Lisa's horse was lame (parking issues); George was all in black, his face set in ancient stone as if he were looking for a fight; John took out his notebook as if to record the evenings foetid ramblings. Your narrator remained largely detached only breaking form to do a coin trick.

But enough of the parody. This was one of the most fulsome and vocal discussions in a long while, the book's symbolism, brutality and narrative voice provoking the main points of discussion. It was universally 'enjoyed' by the four scalp-hunters present and while weaknesses were alluded to they were largely usurped by praise and acclaim. A particular point of discussion was John's 
love of McCarthy's language and poetry; when John's book looks like a gap-toothed vagrant you know he's had a good time. George made some excellent arguments about McCarthy's use of violence and how it reflected a society, nay, humanity that is inherently brutal and venal. There was some good stuff, too, about how violence can desensitize the soul. Lisa was impressed by the sweep and grandeur of the book and enjoyed a tome that allowed many interpretations and left the reader punch-drunk. I thought the book was largely carried along by its Miltonic poetry and found the audacity of it compelling. We all agreed that we would read it again (although perhaps many years hence) and it would no doubt throw up much more food for thought and perhaps be seen differently again by older, wiser eyes.

There were weaknesses - the repetition, repetition, repetition - grated at times and the middle section felt a bit more detached and unfocussed than the rest, but Blood Meridian was never going to be an easy, plot-driven read. A great work of literature or a pretentious dark mirror to the Bible? This group were most definitely in the former camp, thankfully alive and un-caged.

There was an unsavoury final twist to the evening, however, when Lisa pointed out the man at the bar - a regular donned in shorts made from some beast unknown in these parts. He was quickly dealt with by the four with a brutality and swiftness that initially shocked the other patrons. Stabbed to death, dis-robed, flayed and then hung upside down from a coat stand; a gory example to others contemplating such fashion whimsy. But that was not all. Caught up in the blood fever the other patrons soon discovered their base natures, taking the corpse down from its peg, urinating and sodomising it in turn till they turned to dancing a merry jig on what was left of the flesh and bones. The slick remains were held aloft and carried in jubilant procession up Byres Road and finally burnt outside Crepe a Croissant so that nothing remained except the charred coagulate of his preterite life.



Thursday, 8 November 2012

Cormac McCarthy (not) on Shopping



Urban Outfitters



Cormac M. | Author | Lost in the chaparral, NM

And they come there in great numbers shuffling into that mausoleum that was built for them like some monument to the slow death of their world and among those tokens and talismans of that faded empire they forage like scavengers their faces frozen in a rictus of worldweary their clothes preworn in some tropical factory and they shop and they hunt with dullbrown eyes through that cavalcade of false trinkets and those shrinkwrapped mockeries laying there in silent indictment and they reach out to touch those trite things and their faces are slack but in their gullets a scream lies stillborn for they are the kings and the queens reigning over the death of their people and the world is not theirs and never was and the suffering and the horrors are not their doing but the work of their bankrupt forbears and before them stretches an abyss beyond man’s imagining and within their lifetime the promise of a coming reckoning measured in blood and in pestilence and they shuffle through that store near paralytic and finally they take a metal thing with a feather on it and they buy that thing.

http://yelpingwithcormac.tumblr.com/post/13874660168/urban-outfitters

 

Wednesday, 24 October 2012

A Time Of Gifts

A Time of Gifts: "one of the great masters of English prose at the height of his powers", (Literary Review); "the grandeurs, the courtesies, all are recalled with a sweep and verve that are almost majestic", The Spectator; "A masterpiece", Jan Morris...

Never judge a book by it's cover. This book group failed to be impressed by PLF's poetic prose, love of big words and obscure architectural terms. Tellingly, I thought, only one member had actually finished it. This represents something of a record. It limited the discussion of the book and pretty swiftly we were on to the Jimmy Saville scandal, Donald Trump's bullying ways in the North East and that fantasy programme with lots of boobs in it that Thomas(Game of Thrones) likes to watch.

The book's proponant Martin had really enjoyed the first 40pages he'd read although there was a hint of suspicion that they had caused him a migraine too.

Thomas evinced a genuine admiration for the man though once more seemed to have been reading a different book having got stuck into Artemis Cooper's new HB biography of the man & regaled us with tales of PLF's daring exploits as a guerilla fighter in Corfu during WW2. TQ was also impressed by the effect this book would have had on its publication with its praise for German people at a time when Basil Fawlty's "don't mention the war" attitude still prevailed on these shores. With his tabloid hack background Thomas distilled PLF's travel masterpiece into 'a "shag-athon" across Europe' and sniffed out possible cover-ups in the narrative where the young protaganist had clearly bedded several of the young female supporting characters met along the way.(Surprisingly no reference to homosexuality, necrophilia or boy scouts were made. Give it time).

Lisa voiced the communal feeling of the group that many passages of the book were difficult to understand and quipped that the explanatory footnotes needed footnotes themself!

No one had the courage to come out and say it was awful- Arabella was in self-imposed quarantine- but George's discreet silence & self-confessed 'difficulty with travel books' and Mark's polite praise were damning enough.

It is no secret that I like this book immensely and rate it amongst my all time favourites.
This is a rich book full of detail- perhaps too much. Architecture, art, history, language, geography, ethnology all come into the mix. It is a glimpse of a Europe poised between two great conflicts. It is a marvellously recalled account of a young man's coming of age: "articulate enthusiasm". It is an insight into the relationship between a 60yr old narrator and his teenage self which reminds one of Beckett's monologue "Krapp's Last Tape". It is an exercise in detecting how much of the story is accurate, how much is made up & how much of it has been polished and perfected over countless dinner parties over the intervening 30years.

Above all it is an unashamed romp through the marvellous lexicon of the English language.The author doesn't always strike the balance right but when he does the prose scintillates, his choice of words is perfect and ideas and thoughts are expressed and interlock with breath-taking poetry and clarity.

(Ok now shoot me.)
 
***I did think of posting this in a Cyrillic Font in honour of PLF but the blog doesn't have this option***

Ashplant